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Tuesday, September 25, 2012

Alpha Move: Be Hungry Like The Wolf

I apologize in advance for all of the errors I'm going to make in this post -- I got three hours of sleep last night between landing at the airport from a long weekend in Las Vegas and getting up this morning to get the kids off to school.  And yes, I may very well be suffering through the tail end of a hangover.  It's certainly within the realm of possibility.

A long weekend in Las Vegas has the potential to be life-changing if you do it right, and while that sort of thing didn't happen this weekend, I did make several very intriguing field observations about Game in the wild, untamed, anything-goes erotic landscape of Las Vegas.  I like Las Vegas, if you can't tell.  It's like Disney for adults.  While they used to call it Sin City, I prefer the more accurate term the "City of Id".  If you've got a sexual itch to scratch, Las Vegas is like a premier buffet.  

But before I expound about my Single Game in Vegas observations, I want to cover the Married Game advantages to a weekend away in this most decadent of environments.  Some couples fear the idea of Vegas, too insecure in their relationship to be tempted by the fleshpots of Nevada.  Me, I just needed a vacation, and Mrs. Ironwood had a conference there, so we killed two birds and while she was being all noble and saving the world I was getting wasted around the clock and spending my kids' inheritance on penny slots and fruity rum drinks.

This was my third trip to the burgh, and after Mrs. I's conference was over and I was able to sober up enough to go and be social with her, we decided to blow off the closing  session for something a little more . . . intimate.  

"Intimate" in this case meant dirty dancing with my wife in front of a crowd of drunken strangers.

Look, everyone wants a hot sex weekend in Vegas, and as you get older your expectations for such events go up even as they become more infrequent.  And there was plenty of sex -- but that wasn't the draw for either of us.  We already have plenty of sex, thanks to the Red Pill.  But what is often missing from the lives of middle-aged married couples is that sense of excitement and intensity that may have faded over the years as you get used to each others' personal sexual idiosyncrasies.  The stuff that turns into hypergamy and/or infidelity if you aren't careful.  There is real danger in relationship ennui, and as Athol points out in yesterday's insightful post, you just can't count on a regular Date Night to keep things spicy and interesting.

But a drunken weekend in Vegas ...

We hit the buffet at Harrah's and pigged out, which did both of our stomachs good.  We were actually planning on heading over to the Erotic Museum, which I've planned on attending each of the three times I've been in Vegas and never quite making, and this time was no different.  We were even headed to the taxi stand to splurge on a cab there when we walked passed the open-air Carnaval bar at Harrah's and decided to stop inside for a smoke and get our bearings. We ended up staying there for over six hours.

The reason was the band.  Now, you can find every kind of entertainment known to man in Las Vegas, from transvestite lounge acts to comedy to acrobatics to a donkey show, if you know where to look.  The entertainment options are truly limitless.  But the mid-Sunday-afternoon band at the bar, an 80s tribute band called the Nancy Rayguns was free, enthusiastic, and actually quite good.  Throw in some drink specials, a flair bartender named Flippy, and a crowd of middle-aged Gen Xers who actually remember the songs that the band played, and you have one hell of a pink-and-teal acid-washed party.

But I had the nascent beginnings of a plan.  The point of this exercise wasn't merely to be entertained: it was to pay some very public attention to my wife in a way she would be reluctant to see if we weren't in the land of the 24 hour hooker, surrounded by a sea of Asian tourists and drunken old farts. The point was to show her that I'm still hungry.  Like the wolf.

I think that's a trap too many Blue Pill dudes fall into: once they are safely in a relationship, they forget the need to publicly express their desire for their woman.  Mrs. Ironwood and I went into that bar as a middle-aged husband and wife, and while that didn't change ostensibly, in actuality it was far more like a boyfriend taking out his girlfriend to a show than a husband and wife enjoying a quiet afternoon of entertainment.

Simply put, the moment I heard the first rockabilly strains of "Goody Two-Shoes", it was like it was 1987 all over again.  Sure, there was an element of nostalgia for my lost youth -- but it was far more a reminder of how far I've come in my life.  In 1987 I was overweight, underconfident, and mired in Blue Pill ideology that saw me get my heart handed to me by a series of women.  Hearing that band brought me back to my youth, sure.  Only this time I knew what the hell I was doing when it came to girls.  And I had conveniently packed my own.

So it was SHOWTIME for Ian.

Back when all of these songs came out, I had been stunted by insecurity and brow-beaten by the Blue Pill: it made me either a sullen wallflower or an over-the-top spaz when it came to girls.  It was the Age of AIDS and date rape seminars, the height of the cultural purge of masculinity the feminists waged throughout the Age of Teal.  I had been awkward, ugly, low-value, and sullenly embittered by the unfairness of it all and the hopelessness going forward.  You know, Teen Stuff.

Now . . . . not so much.  It took that nostalgic, painful flash of teenage angst associated with that music to make me appreciate just how far I have come.  The dude I was would never have dared to nuzzle a chick's neck in a public place without three pieces of signed and notarized documentation stating in advance that said neck-nuzzling was an acceptable and mutually consensual act agreed upon before hand that in no way obligated either party to any further activity not covered herein.

But now, I brazenly nibbled and more or less felt her up in an affectionate-and-socially-acceptable way in front of a crowd of drunken strangers.  I knew now what all of her Indicators of Interest were, and how I could arouse them through a combination of brazen cockiness and bold Alpha displays, especially in the social context of fellow adults engaged in similar pursuits.

I knew that the ragged strains of Joan Jett and the smooth crooning of Boy George, not to mention the naked , raw sexuality of Oates (sorry, Hall not so much) triggered a similar sexual nostalgia for her, taking her back to when sex revolved around cute boys and marrying someone rich and famous, not the titanic interpersonal struggle it evolved into as we matured.  I knew, without a shred of doubt or a hint of insecurity that I looked good, I was out with my chick, I could exhibit my social prowess through a series of increasingly-humorous and sexy displays, and, with a degree of certainty usually reserved for a cash transaction, that Ian would be getting lucky in Vegas that night.

The band played "Lets Get Physical" and I cavorted around Mrs. Ironwood's chair like a drunken teen, up to and including borderline obscene pelvic thrusts.  Then we had another drink and the time of our lives.  A drink later, I hit the jackpot.  They played Duran Duran's Hungry Like A Wolf.

Now, while I really didn't know Mrs. Ironwood back in the 1980s, I've picked up enough about her personal history to know which songs and performers elicit specific memories.  And I know for a fact that there has always been a certain damp spot in her panties for Duran Duran.  Something to do with a middle school crush, perhaps, I'm not sure of the details but based on memorabilia and previous response, Duran Duran -- Simon Le Bon, Nick Rhodes, John Taylor, Andy Taylor and Roger Taylor -- just does something to Mrs. I.  Live Duran Duran, after three rounds of fruity rum drinks and a free pour-in-your-mouth shot courtesy of Flippy the flair bartender, and I could only imagine what was going on in her libido.  And I knew just how to turn it up.

All the way to 11.

(It's like everyone else just goes to 10, but ...)

When Hungry Like The Wolf came on, I got up in front of everyone and started dancing with the two drunk chicks who were celebrating their 40th birthday and reliving their own nostalgic moments on the dance floor. Mrs. Ironwood giggled girlishly as I paid them some nasty (but tasteful) attention, and got some solid preselection points in return.  Then I went back to the table, grabbed her by the hand, and led her out on the dance floor.

Now, Mrs. I, as a rule, doesn't dance.  She's still recovering from breaking her heel and other foot injuries, so the entire trip revolved on her walking as little as possible.  But three drinks drunk, with her husband boyfriend insisting that he wanted her -- her and only her -- so much, so publicly, that he was willing to risk looking utterly ridiculous in an effort to impress her with his manly strutting.  But I owed it to her.

 No one puts Baby in a corner. 

So strut I did.  I pulled every 80s dance move but the Robot (even I have some pride) my tired old body could manage.  I put on my my my my my boogie shoes.  There was moonwalking involved.  There was more funky pelvic thrusting . . . and drop-to-your-knees grinding in a most indecent fashion, my face making scenic detours through her cleavage on both legs of the round trip.  There was gyrating and spins.  There was Footloose-style white people dancing.  I even attempted a half-split that didn't end too badly.

 I dragged Mrs. I out of her safe chair near the stage and into and out of my contortions on the dance floor, never loosing eye-contact, never letting my full intention waver from her and her alone.  There was macho struttery and arrogant posturing.  There was lurid movements and gratuitous crotch-grabbing.  I was on like Donkey Kong, putting it out there, working hard for the money.

And Mrs. Ironwood ate it up like Pop-Rocks.

That's when I went to 11.  I popped my collar.  Like The Outsiders. For real. And I meant it.

You could almost hear the gush, and not just from her.  The horny birthday girls (with mommy bobs -- sorry ladies, thank you for playing) were visibly envious.  The crowd, already watching my antics, went wild.  The band called it to everyone's attention.  Flippy flipped out.  I'm not great-looking, but comparatively speaking I was on the high side of the Sex Rank at that club, and I knew it.  I was one of only a handful of guys dancing, and by far the most flamboyant and arguably the most enthusiastic.  I worked it.  Dance-wise, I was AMOG.  

Me. Nerd Boy.  Damn.

In 1987 I never would have considered being that, in any venue.  In 1987 every glance at a woman was plagued with Betacized doubt and cowering fear.  Dance in public?  With women?  With a girlfriend?  Not me, man.  I'm not that dude.  I'm the nerd, over in the corner.

Now I'm the nerd at the center of attention.  I'm the nerd boldly going where I never would have dreamt I'd go.  I was a nerd with Game, and that made me mighty.

It also made Mrs. I terribly, terribly enchanted with my display.  For one brief shining moment, the kids, the house, the jobs, the career track, the money issues and all the responsibilities were gone, and it was just me showing my chick how badly I wanted her in front of the whole world, without pause or reservation (or, apparently, any sense of propriety).  Just me demonstrating how badly I wanted to do wicked things to her body and delight her soul.  How I was hungry like the alpha wolf I was.  The Red Pill kicked into Extended Release, and I commenced to do nasty things to her leg while I nibbled on her ear while the crowd cheered us on. We concluded the song with a heartfelt public kiss with tongue and my hand on her ass and everything, and we got a round of drunken applause from the crowd that I'd never have imagined I'd be getting back when leg warmers walked the earth..

Thanks to a timely royalty check, we'd been able to do Vegas without looking at our bank balance for once. Which meant I hemorrhaged money over four days.  I haven't even figured out how extravagant I was yet, because I'm afraid to total up the receipts.

But honestly, I don't care how much it cost, or how much energy I devoted to making the trip happen, dirty dancing with your wife girlfriend in a crowd of drunken strangers and making every woman there envy her your devotion and attention, that, Gentlemen, made it worth every fucking penny.  It was pure, primal Game. It slashed through years of accumulated bullshit and brought us back to the primal boy-meets-girl that got the whole thing started.  It was Game made manifest.

It's all right there in the 16 Commandments, Number 2 (Make Her Jealous), Number 6 (Keep Her Guessing -- no one expects a popped collar . . . until it's too late), Number 9 (Connect With Her Emotions), Number 11 (Be Irrationally Self-Confident -- I told you I went to 11), Number 12 (Maximize Your Strengths - goofiness and gratuitous displays of ego, check!) . . . and especially Number 13.

Ah, Number 13.  Always Err On The Side Of Too Much Boldness, Not Too Little.

Too often we married dudes forget that.  There's a timidity that can arise from long acquaintance, a mix of boredom and familiarity that needs to be regularly washed away like a bad stain on your Members Only jacket.   Blue Pill dudes don't get it at all -- it might as well still be 1987.  But as far as Married Game goes, this is a tricky but essential way of keeping your woman's interest high.  You must be bold.  You must find some way to reach beyond the mundanities of middle-age and grasp the essential testosterone-poisoned, horny-enough-to-screw-a-goat teenage libido and all the reckless abandon it represents . . . without doing something stupid like cheating on her.

You Must Boldly Go, if you want her loins to ache for you.  Show her, in public if need be.  Fuck propriety. Fuck mature wisdom.  Fuck middle age reserve. (And while you're at it, remember Number 14). Show her that you're still the same horny, groping teen you were back in the day.  Show her how she makes you throb, and do it unashamedly, without reservation.  That she's sweeter than wine.  Bust a move on her behalf.  Show her that you have that wolfy hunger that made you do awkwardly stupid things in your adolescence . . . but now you have the wit and wisdom to boldly display every nasty shred of Alpha in your aging body.  Show her that you're the MAN, and that she's damn lucky to have found you, and damn special for being the center of your personal universe.

And if you do it right, you'll never have to worry about Number 16.  Because you've got Game, son.  That's the key.  Game.  Understanding the complex interplay of heterosexual dynamics that leads to high-quality interpersonal and physical encounters with an ever-increasing level of satisfaction, and being able to play those emotional notes like a Moog synthesizer until she's practically begging to do simply nasty things to you once you get back to the hotel room.  Like a virgin . . . only not so much Madonna as whore.

The rest of the evening was eventful, but I'm going to stop the narrative here.  We made it back to the hotel after a few adventures -- Vegas is a hell of a town.  Once we recovered sufficiently, and we were far from prying eyes (they're watching you), I continued a display utilizing good old Number 14.  I don't need to relate the details here, for dramatic reasons.  Use your imagination.

Let's just say . . . I was hungry like the wolf.  And there are other things I've gotten much, much better at since 1987.

More later.  Must sleep soon.

Ian out.


Wednesday, September 19, 2012

The Tangled Chains On The Swing Set of Solipsism





       

If you aren't a Manosphere skulker, you might have missed this interesting debate about female solipsism.  Susan at HUS scoffed at the idea, and wanted to see proof.  Vox Day at Alpha Game took a swing, Dalrock made a good stab at it, and found some divorce stats that tend to favor the idea, but I thought a more easily-provable aspect of female solipsism might arise from his first point, that solipsism was proved by  "...the tendency of women to think anything being discussed is about them personally."  He did not, however, have any solid facts for this, so he expounded on the divorce stats instead.

But there's actually some evidence out there, if you know where to look.  No one is doing studies looking for solipsism in women, but observation certainly suggests the presence.

According to Linda Babcock and Sara Laschever in their book Women Don’t Ask: The High Cost of Avoiding Negotiation, “Women often worry more than men about the impact their actions will have on their relationships. This can prompt them to change their behavior… sometimes by asking for things indirectly, sometimes by asking for less than they really want, and sometimes by trying to be more deserving of what they want (say by working harder) so that they’ll be given what they want without asking.”

In other words, women have a greater sense of self-importance and sensitivity to their personal actions than men -- signs of solipsism.  Remember, solipsism isn't "selfishness", as many Manospherans mistakenly believe; it's more akin to "self-involvement", and that can be a positive or negative thing.  A woman can be completely giving to the people in her life, sacrificing much, and still be utterly solipsistic.  By putting nearly every issue in terms of "how does that effect me?" or "how do my actions effect others?", the female solipsistically maintains a frame that has herself at the center of the picture.  She might be "self-less"...but she still has the "self" front and center.

If possible, try this exercise sometime: when you're in a group that solicits volunteers, say for the decorating committee or the outreach board or the weasel rescue squadron, or whatever, listen carefully to how people volunteer themselves.  Men will have a tendency, I think you will find, to offer their help without qualification or explanation, and leave their participation open-ended: "What needs to be done?"

Women, on the other hand, will tend to lead with their reservations and exceptions, their level of participation and explain in detail just what they can and cannot offer in terms of resources.  They're perspective tends to be more "What can I do?"

It's a subtle, but extremely telling indicator of solipsism, I admit, and it's not universal.  It's subject to the same maddening variability most female psychological issues are, comparatively speaking.  But if you passively observe how men and women take different approaches toward volunteering their labor and resources for the collective effort, you can see a hint of solipsism.

Further, the constant demeaning of their own ego and accomplishments some women demonstrate in an effort to "not hog the spotlight" or "be a bossy show-off" is actually another sign of solipsism.  A non-solipsistic person (say, a typical dude) when asked to report on something for a group, will usually go out, do some half-assed research, slap together a half-assed report, and make a half-assed presentation spiked with charm and humor.  When he's done, he sits down relieved that it's over and he can go to lunch.  He may even forget that he even presented, as one colleague of mine did when someone congratulated him on his report.  

His personal investment in the work is minimal, so his investment in the response is minimal.  He's usually concerned more with the group getting ahead and distinguishing himself in some way than he is in how people think about him.  One of the advantages of the male-centered corporate world is clearly the "don't take it personally, it's just business" perspective that allows men to fail, regroup, and continue on without agonizing over their failure.  They simply aren't that personally invested in it.  The "self" is missing.


It's the kind of slap-dash, cocky shoot-from-the-hip attitude that corporations love to cultivate in mid-to-upper management, because it presents a low-key, calm and cool demeanor that seems completely capable of handling crisis situations without a fuss.  Hence the dude who phoned it in gets the attention of upper management for his lack of solipsism (or his demonstration of intellectual laziness, your pick).

But a female colleague prone to solipsism will behave much differently.  She may carefully research the topic, spend days agonizing over the report's appearance and content, and then deliver a mindfully-given oral presentation sprinkled with apologies, acknowledgements of failure, pleas for understanding and mercy, and other subtextual signals that all mean, in one way or another, "I am the focus, here, not the information, not the organization, just me and whether or not I do well or not...and I've pre-supplied plenty of reasons for the group's hamsters to reject me utterly for my poor performance and pay me attention, or elicit sympathy from other people who might appreciate just how hard I toiled on this."  

Afterward, if she doesn't get praise for her work, she obsesses about what people "really thought" about her.  She assumes that they will judge the quality of her work product based on their feelings for her, not on the ultimate utility of the work.  I've seen that happen to even savvy businesswomen: they get bogged down in the details of personal perception and group dynamics and they take every. little. thing. personally.  

If Bob checked his watch twice during her presentation, that was a deliberate slap against her.  If Wanda frowned at the wrong time, it was because something she said in the presentation that conflicted with Wanda's own plans or plots -- and that could be a good thing or bad thing for her, she'd have to watch it.  If Elaine came over afterward and gave her some tips, then it was a deliberate attempt to sabotage how she performed in the future by making her needlessly self-critical.  Even a compliment on an improved performance leads to a spiral of self-doubt, "Ohmygod, he thinks I really sucked until now!  He must hate me!"

In every situation, it is the woman and her performance or contribution that was involved as the fulcrum.  Dudes don't take things personally in business.  Women take everything personally in business.  I'm no stranger to this -- I've worked most of my life in female-dominated careers.  I've been the only dude in an office with dozens of women.  I've worked for female bosses and had female supervisors who, despite their success and achievements, constantly analyzed and over-analyzed and dissected their own performances in a way that would lead to public ridicule if demonstrated by a dude (ridicule from other men -- women would just see him as either a workoholic freak who can't lighten up or an anal-retentive whose self-esteem was so low he couldn't help but obsess).  

Dudes do the job and move on.  If we get pissed off about something, we get pissed off -- we don't usually worry.  Especially not about what other people think about us in the organization, unless we really screwed up in a big and spectacular way.  We're just not that involved in these corporate careers the feminists envied so much.  We know, in our masculine heart, that while we contribute to the success of the endeavor, that we, personally, just aren't that important in the grand scheme of things.  The  tendency of women to obsess over just that seems to lend evidence to solipsism

I'm born out by this observation by Forbes magazine recently, when their Forbeswoman columnist, L.C. Coleman reported:


..female counterparts with equally great (or better!) ideas fell prey to subtly career-sabotaging “nice girl” blunders like over-explaining, apologizing unnecessarily, using minimizing words, being the last to speak, and believing that others know more than they did, just to name a few.

Mistrusting yourself is still self-involvement and demonstrates solipsism.  Worrying that Jim took offense to something you said about his department during your presentation and obsessing over everything he says or every look he gives you (when Jim was probably just staring at your boobs and wondering what kind of underwear you were wearing today and missed the whole perceived barb) is almost uniquely a female response, and suggestive of solipsism.  Worrying that others perceive you as too aggressive or too pushy, and taking steps to undercut your own performance, are equally more feminine, and more suggestive of solipsism.

If you're looking for a source for this, look no further than the Female Social Matrix -- the Swingset.  Remember, the Matrix (a node of which is formed when any two women communicate or work in the same proximity) is constantly seeking Consensus, and each node is constantly attempting to influence that consensus without appearing to actually lead it.  

The perception among many, if not most women in the corporate world is that the Consensus sees that pushy, self-aggrandizing, loud and borderline-incompetent behavior is frowned upon in the business environment.  And that's true -- as far as it goes.  When women work in an environment with other women, and the Matrix rules are in effect, the result is that other women in higher positions within the Matrix will use just about any excuse to keep younger, more attractive, and potentially-smarter women from getting to the top of the crab basket.  

If that means casually "suggesting" proper demeanor and attire to a young "protege" that will help them "get along around here", the older woman has effectively spiked any future competition with the woman by subjecting her to her own Hamster, spinning madly about why everyone thinks she's a bitchy slut now for wearing those shoes and interrupting that time.  I saw this happen to a housemate, once.  She was a young undergraduate in her senior year taking pre-medical classes at a major private university.  She had a part-time job as a lab assistant on campus.  Within a week, three different (female) colleagues came by her desk to "helpfully" tell her that the damn male-oriented, male-dominated Administration unofficially frowned upon women who used their sexuality to distract from their performance, and any "provocative" clothing would be a sign that she wouldn't be taken seriously as a scientist.

She took the news to heart, and started to wear far more conservative clothing (she had been pretty demure to begin with) until, when you added her lab coat, you had the academic equivalent of a burkha.  Her boobs were safely hidden from the eyes of professors and grad students alike, she put her gorgeous hair up all the time, and she wore glasses instead of contacts.  She dropped her number at least two points through selective wardrobe, hair, and make-up choices.  And yes, she was "taken more seriously" -- while the three harpies who "helped" her made a point to flirt outrageously with every man in the Administration. 

The higher-positioned within the Matrix have a vested interest in seeing other women do well...but not too well, and never as well as they do.  They have spun solipsism into a subtle art, using ostensibly friendly, sisterly overtures, or opportunities for "woman-to-woman mentoring", to undermine and sabotage potential rivals while publicly maintaining the illusion of a united front.  

The higher-positioned woman uses the younger woman's own solipsism against her, encouraging her to look at herself not just as another chick trying to achieve in a hard work environment (as her male counterparts do), but as a de facto representative of the wider female Matrix, and therefore both responsible to it and subject to it in the name of Consensus.  Feminism, in particular, is an insidious method of Consensus-building, because it has implicit within the idea that a woman who does not participate in the Feminist Consensus is an ostracized traitor to her own gender, not merely a cog in a corporate machine trying to make it to the top.

In other words, she uses the younger woman's solipsism to utterly undermine her confidence and assertiveness, while scoring Matrix points for being "helpful" to a sister in the icky old world of nasty mens.
And the natural result of this sabotage?

When it comes to determining where to spend their time and money, investors reward confident sounding entrepreneurs the same way that supervisors and mentors reward confident and assertive protégés.


Now, if you're still doubting, then consider this: there are a plethora of articles out there about how a woman can survive and even thrive in a "male-dominated business world" (I prefer the term "male designed-and-created business world", but I digress).  That is, we have women talking to other women.  Importantly, even those these women are in the same meta-Matrix, the reader and the author don't personally know each other, so it's safe to think that the advice contained therein will be free from personal, solipsistically-driven cattiness.

In 7 Ways To Excel In a Male-Dominated Workplace, author Jane Fang advises women to speak up for themselves, as opposed to waiting patiently and quietly for their work contribution to be acknowledged.  Good enough advice -- if you don't ask for a raise, you probably won't get one.  But then she follows with superb demonstration of female solipsism, as well as the FSM's perspective on how organizations should be run:


Sadly, most bosses are too busy to figure out what the most equitable project allocation is, and it often comes down to who yapped last to them about that hot media deal or the new partnership your company is launching. 

Emphasis mine.  The reason this is compelling is that this is a woman speaking to other women, offering advice that must be needed or it wouldn't have been said.  Anthropologists and historians use that standard all the time -- if a medieval monastic order has an ordinance prohibiting carnal knowledge of goats, then you can reasonably assume that the violation of goats was a serious enough problem to warrant a rule.  Similarly, if the problems above didn't exist, no one would write about them and no one would read them.  

But notice something about the bolded section: the whole way she frames the issue is telling: the focus isn't on individual achievement or the achieving the ultimate goals of the company, the two areas where dudes are most likely to focus, but on whether or not the boss was "fair" and "thoughtful" in parceling out the work.  That's a pristine solipsistic perspective: while focusing on individual achievement is often self-centered, it's rare that individual achievement in an organization comes at the expense of the goals and purpose of the organization. The solipsistic nature of individual women and women in general ("The Matrix") put the emphasis not on the ultimate goal, but how that goal was achieved and whether or not it was fair and equitable.  

For men, the issue is the RESULT.  For women, the issue is the PROCESS.  

It doesn't matter to men how the work was parceled out: the greater the challenge, the greater the achievement.  Tell a man to do the impossible and he's got a good chance to do it, not because he was fair and thoughtful about who on his team deserved the best parts of the project, but because he put everyone's egos on the back burner and focused their attention on the goal.  

Tell a woman to do the impossible, and she accepts that you've asked her to do what can't be done (at least by her and her team) and therefore abandons all but nominal allegiance to the result and focuses almost entirely on ensuring a fair distribution of the workload. She doesn't see a greater challenge as an opportunity for greater achievement -- she sees it as a personal attack and an attempt to question both her leadership and her ability.  SHE is at the center of the equation, and by extension her team is.  All that matters is that everyone was treated fairly and equitably at the end of the day, and no one can blame her if they weren't.

A result-oriented perspective on work and other issues gives men a decided advantage in business.  They can simultaneously push for individual achievement and distinction AND work tirelessly and selflessly toward a common goal.  Even if leadership barely acknowledges their contribution, everyone within the Male Social Matrix (a weak and anemic thing, compared to the FSM) knows that Jim screwed around this time while Bob burned the midnight oil and came up with that thing that saved the company millions.  And they'll talk about it at lunch, too, or call each other out if things get heated.

But women?  A process-oriented approach to work often decreases institutional momentum toward a specific goal.  When the focus is on whether there are enough shovels to go around, and who has to take turns, and not on how much dirt everyone moved that day, the social friction created by this solipsistic perspective is a serious drag on performance.  But even if the goal fails, women will still look on their experience as a "victory" if the way they did it was agreeable to everyone.  By worrying about themselves and how to ensure fair play and a level playing field for everyone else -- and assuming that everyone else is also worrying about those things first -- women allow their solipsistic nature to cloud their perspective in business.  

I got called out on this once when I was early in my secretarial career.  It's instructional.  It's also long and involved, so I'll refrain from my usual post padding with pretty pictures of pre-feminist pin-ups and let you focus on the story.  Besides, I'm leaving for Las Vegas in a few hours with Mrs. Ironwood, and I really can't spare the time.

But this is an observational example of the Tangled Chains On The Swing Set of Solipsism that is implicit in the female character.  Susan, pay attention: this might be technically anectdotal, but I'd hope you credit me with at least being able to make an objective observation about the subject.  Note that some names have been changed, because I couldn't remember them all.

About 18 years ago I was working in a medical office with 13 women as a temp, and we were all destined to slave away for weeks on digitizing old records.  While we weren't being paid based on how much we did, the fact was that there were 15,000 files to get through, a monumental job by anyone's estimation.  I was the only dude (again!), the rest were women ranging in age from 21 to 58.  The FSM with a Southern accent.

15,000 files among 14 people gives you about a thousand per person.  We could each do about a hundred a week, if we worked steady.  By the end of the first week, I'd made my quota and then some . . . but it became clear that not everyone was being as dilligent.  I posted a list of employees along with how many completed files they had for the week, just to show everyone where we were and how much we had ahead of us.  I thought it was pretty innocuous -- wasn't that the point, getting the job done?

Apparently not.  Within two days my list disappeared and I was called into my supervisor's office.  The list was on her desk.

"What exactly are you trying to accomplish here, Mr. Ironwood?" she said, reprovingly.

"Uh . . . digitizing medical files?"  I really didn't understand what the problem was.

"Of course you're digitizing medical files!" she said, exasperated.  "And I can't help but notice that you did more than everyone else."

"Thirty-five more," I said, proudly.  "I figure I can get another five done a day, if I press myself."

"Stop it."

"Huh?"  WTF?  Wasn't I here to do a job?

"I said stop it, Ironwood.  Stop posting this list -- it's bad for morale.  Did you see Betty in the break room?" Betty was in her 50s, on her third career, and was slow as January molasses when it came to processing files.  I could get five done in the time it took her to do one, and she hated the computers and the computer system.  She didn't even really understand what "digitize" meant, but she made cookies and always was the center of conversation, a kind of matronly figure for the other women.  "She was close to tears, after she saw herself at the bottom of the list.  And you have Angie and Courtney at each others throats, because they're running neck and neck and Angie is convinced she's better than everyone else."

"But . . . I did more than twice what Betty did!" I protested.  This was crazy.  We had a job to do, a quota to fill, a definite metric of progress . . . and I was getting yelled at for paying attention.  To object to my work because I was "hurting someone's feelings" implied that a) emotional feelings were important to getting the job done, of which I was unconvinced, and b) I was somehow responsible for my co-workers feelings to begin with.  Shit.  I was just grinding mindlessly at data entry.  

"That's my point!" she said with a disgusted sigh.  "You're trying to make everyone else on the team feel bad about the job they're doing."

"Uh, shouldn't they?  I mean, you could fire Betty and let me grind through her stuff and probably save--"

"MR. IRONWOOD!" she bellowed.  "The only one in danger of losing their job is you.  I will not have a disruptive influence on my team.  You trying to promote yourself over everyone else, clearly, and you're trying to sow dissension among your teammates.  What are people supposed to do when they see this list?"

"Uh, work harder?"

"They're going to start getting competitive.  They're going to start to stress out that they aren't keeping up.  They're going to start to blame each other for falling behind, and then every lunch hour will turn into a big bitch fest about who isn't doing their part."

I shrugged.  "Doesn't bother me -- I work through my lunch."

"You WHAT?"

"I work through my lunch," I said, slowly and deliberately.  "Because I've got a thousand and change of these things to get through, and I don't want to spend the rest of my life here doing it."

"You know you don't get paid for that!" she said, her nostrils flaring.  "I don't want to see that on your time card!"

"Oh, no problem.  I'm just trying to get the work done."

"You're just trying to sabotage my team," she said, eyes narrowing.  "No more working unpaid during lunch. No more posting stupid lists to start fights.  Got it?"

I answered in my best Blue Pill Beta ass-kissing tone, and then went back to work.  I was so angry that I redoubled my efforts -- the male ability to work through problems through work was in full bore.  I got nearly two hundred done that second week, but the following Monday morning found me once again in my supervisor's office.  Her nostrils were flaring already, and I knew I was in trouble.

"What the hell is this, Ironwood?" she demanded.  "I thought we had a word last week!"

"We did!" I said, confused.  "I didn't post anything.  I'm not working through my lunch.  I'm not claiming anything extra on my time card!"

"Yet you still finished almost three times as many files as Betty did."  She said it like I had walked up to the old biddy and slapped her.  "She was in here this morning, crying her eyes out, because she's worried I'm going to let her go."

"And that's my fault?"

"You're creating an environment that's hostile to her," she said, falling back into Personneleese.  "You are deliberately trying to turn her co-workers against her."

"How?" I demanded.  "All I've done is sit at my desk and enter data!"

"Oh, I think you know very well how," she said, eyes narrowing.  "And I won't put up with it!"

"I'm still in the dark," I shrugged.  "Unless you can elaborate further.  Can I go now?"

"One more thing," she said.  "About lunch..."

"I told you, I didn't put my lunch on my timecard.  Consider last week a gift."

"It's not that.  You're the only one who doesn't eat lunch in the employees lounge."

I shrugged again.  "So?"  Honestly, it was the last place I wanted to spend the precious half-hour that divided my day.  I didn't eat lunch at all most days, I just went out to my car and smoked cigarettes and read.

"So I want to remind you that company policy says that the only place where you may eat is in the Employee Lounge."

"I'm not eating," I shrugged.  I did a lot of that on that job.  I figured that would handle it.  It didn't -- my boss looked at me like I just spit on her.

"You don't eat?" she asked in disbelief.  Lunch was the sacred birthright of every clerical worker.  My co-workers started discussing when lunch was, what they brought or ordered that day, and the glories of lunches past nearly every morning like daily prayer.

"Not lunch.  Why, am I required to?"  I admit, I was a little sarcastic at that point.

"No," she said, slowly.  "But the rest of your co-workers would appreciate it if you would join them."

"Why?" I was really confused about this -- I was getting the definite impression that my co-workers were forming a Consensus against me.  "I don't eat, I just read.  They're too loud to read in there."

"Nevertheless, I want you in the lounge at lunch time," she insisted.  "And I recommend you eat something.  You're making your co-workers uncomfortable by not participating."

"In lunch?" I asked in disbelief.

"Courtney and I talked last Friday, and she mentioned that it was strange that you didn't sit in with everyone else.  In fact, you have apparently become the topic of some speculation, Ironwood.  You disappear for the entire lunch period, then come back and barely say a word to anyone."

"I . . . I'm just working," I said, even more confused.  "I'm just sitting in my car reading." 

Her eyes narrowed again with suspicion.  "Are you really, Mr. Ironwood?  Because that's not what your co-workers think."

I waited.  I didn't say anything.  I was getting pissed.  She waited for me to defend myself, or to give a good excuse for my behavior, or something.  But I wasn't playing.  Even back then I recognized her baiting tone as a shit test.  And even back then I knew how to deal with an obvious shit test.  That's one difference between men and women in the workplace: when a dude has had it, that's it. She wanted me to ask "so what do my co-workers think?" with some level of concern, and I wasn't biting.

"Your co-workers think you're flirting with the receptionist across the hall."  She said it as if I'd bent the poor girl over and ravaged her.  She was attractive -- but I'd only spoken to her twice, she was engaged, and at the most I'd smile at her through the glass doors of her office as I went in and out of the building.

"Well, I have a girlfriend," I protested (yes, this was when Mrs. I and I were shacking up, albeit seriously at that point, and at the time I resented the implication.).  "I'm not flirting with anyone!  I'm reading a book in my car!"

"You aren't where they can see you," she emphasized.  "That's a problem."

I just stared at her blankly.  "Why . . . is where and how I choose to spend my lunch time . . . of any possible concern to anyone other than myself?"  I tried to be diplomatic and logical.

"The problem, Mr. Ironwood, is that your actions lend to the perception that you are . . ." she trailed off, suddenly at a loss.

"That I am . . . what?  Molesting puppies?  Smoking dope?  Abusing myself?"  When stated in those terms, she started to look silly, and she knew it.  And yes, I actually said 'abusing puppies'.  I still remember that.

"The perception that you are not a team player."  

"Yet I perform at twice the level of . . . some other co-workers," I pointed out.  "How is that not being a 'team player'?  And how is spending lunch by myself . . . or the perceptions of my co-workers . . . relevant to my job performance?  By every objective metric I've been an ideal employee.  I'd be happy to review my performance with my agency, if you'd like."  The threat was implicit -- if this kind of thing continued, I'd get the temp agency involved.  While that wasn't the end of the world, it would call attention to the matter, and my boss was in the same social circle as the owner of the temp agency.  I knew that.  I might not be in the FSM, but I know how to use it.

"Just . . . conform to the company policies as they are explained to you, Mr. Ironwood.  That is all," she dismissed. 

While I was seriously resentful, I also needed the job.  Cushy temp work in the air-conditioning paid a lot better than construction or waiting tables.  Beside, I was still enough of a Puerarch to want to subvert the whole operation just to spite her.  So I appeared to knuckle under and concede.  I started spending my lunches in the employee lounge where I was subjected to all sorts of inane feminine chatter.  My one concession to eating was bringing in a single, phallic banana every day, carrying it around with me wherever I went, and then devouring it in seconds at the start of lunch.  After that . . . well, I can't read when thirteen women are comparing their weekends and jockeying for matrix position over microwavable pasta.  There's just too much distraction.  

But I can write.  I'm a writer, everyone knew that.  I had a book and everything.  It was easily the most interesting thing about me.  I started bringing a notebook to lunch with me, and I would sit over in the corner and write stuff down.  Sometimes I doodled.  No big whup.

Enter Female Solipsism: the practice had an immediate and intriguing effect.  Suddenly, everyone in the building was extremely interested in just what I was writing.  And it became A Thing.

Because every woman there was convinced -- utterly convinced -- that I was writing stuff about her.  Specifically, stuff that was unflattering to her.  She was sure of it, be she 21 or 51.

If that isn't solipsism, I don't know what is.

It only dawned on me that this had become A Thing when Courtney, mid-20s, came to me after lunch and actually flirted with me for the first time.  Courtney was office hot, definitely doable, but she clearly had a higher opinion of herself than I did.  Still, I was polite, if laconic.

"So," she said, after meaningless bullshit.  "Whatcha writin' about?"

It took me by surprise.  "Oh, just character sketches and stuff.  Notes.  I'm working on a new book."  I didn't mean anything by it at the time -- I'm a writer.  I've been "working on a new book" since I started writing.  It's a stock answer.

Courtney, however, took it to mean (rather solipsistically) that I was writing a new book . . . about her.  Or the someone in the group.  She asked me more probing questions, and as I figured out what she was trying to do, my answers became more and more vague and mysterious and she got more and more agitated.  I hadn't given her one single piece of concrete data, yet by the end of the day 'everyone knew' that I was writing a book about Courtney.  Or someone in the group, but Courtney was pretty sure it was about Courtney, otherwise I wouldn't have been so mysterious.  In FSM terms, Courtney had used the episode to "push" herself up in position, because a dude writing a book about you is incredible attention, the coin of the realm in the Matrix.

The next day, four women approached me before lunch with meaningless reasons, and all four managed to mention my writing somehow.  I didn't take the bait.  My notebook remained on the corner of my desk until lunch.  At lunch, now that I was aware of the interest in my book, I began to take notes with more purpose.  In fact, most of the stuff I was writing down had nothing to do with anything or anyone in the office.  But it was the way I wrote it that perpetuated the myth.  I waited until there was a break in the conversation, for instance, and then scribbled something down furiously while everyone in the room watched and tried to keep from looking like they were watching. Then I'd stop, the conversation would resume, and I'd wait for another break.

As an experiment, I decided to pace my notes based on which woman was speaking.  I picked Margaret, one of the older women, for no real reason.  Every time Margaret opened her mouth, I was writing.  It took a few times before she was aware of it, and then she got uncomfortable.  Then some of the other women clued into it, and were immediately abuzz.  Margaret started blushing, and ended up excusing herself to the ladies' room.

I hadn't said a word.  It was fucking hysterical.  In the literal sense.

By the end of the day, everyone was certain the book was about Margaret.

The next day, I focused on Lisa, and wrote down stuff mostly after she was talking.  Lisa got flustered, too, but instead of running and blushing, she started paying a lot more attention to her diction and word choice.  Half-way through lunch, I switched and did the same thing with Courtney again.  After lunch, Margaret approached me as I was heading back to my desk.

"You know, Ian, I really don't appreciate that!" she said.

"What?" I asked, genuinely confused.  

"You writing about me in that notebook," she accused.  I almost smiled.  Instead I affected a confused expression.

"What do you mean?  Who said I was writing things about you?"

"Everyone knows-- look, I'm just a very private person, and if you want to know anything I would appreciate it if you would come to me, personally, and not rely on other people.  Okay?"

"Uh . . . okay," I agreed.  Not only had she assumed that I was writing about her, she was absolutely convinced that I was talking to other women in the office about her.  

Every day that week I ground away at the pile of files and then amused myself with the luncheon Solipsism Floor Show.  It became a game for me: how little could I say and do and still inspire wild speculation about my "book"?  Just how much of a tizzy could I through these ladies into . . . without doing a damn thing but my job?

If women weren't solipsistic, then it wouldn't have worked.  As it was, it worked spectacularly well.  

Wednesday it was a divided room, as I wrote only after the younger women (less than thirty) spoke, and ignored the older women.  Thursday, Janet -- who hadn't spoken two words to me the entire time I'd been there -- started pumping me for information about my life and my book over in the corner.  I gave her as little as possible, and gave her no false information, and figured I was just frustrating her.  Only I didn't realize what she'd done -- with our little private conference, she'd made it appear to the Matrix that she had the inside scoop, and she used that leverage brutally in the free-for-all that followed.  

That afternoon, when I was coming back from the Men's Room (the Fortress of Solitude, I called it), I caught that old biddy Betty trying to slyly leaf through the notebook.  

"Excuse me?" I said, coming up from behind her and slamming my hand down on it.  "Is there a problem?"

"Oh, I was just looking for some staples," she said, airily.

"There are none in my notebook.  Check the supply closet.  That's where I'd put them."

She shuffled away guiltily.  And it became a trend.  Suddenly I was getting called away from my desk every ten minutes or so, and when I went to get more files one of the girls stalled me.  I'd set my telephone on top of my notebook, which frustrated them because I made a point to pay attention to how the cord was arrayed.  When I got back, it hadn't moved, and I got a lot of frustrated glances.

Thursday, it was almost mayhem.  I was having a hell of a good time watching these ladies push each other off of the swing set -- it was more fun than doing it yourself.  I still hadn't admitted anything.  I hadn't done anything.  I'd just written some notes down in a spiral notebook and quietly ate my banana.  But the inclination to assume, automatically, that the unknown words in my book were clearly about them -- whichever 'them' it was who was assuming -- drove these women to distraction.  Thursday was a shit day, production wise, and a dozen little arguments broke out over stupid stuff.  I kept to myself and jammed.  I was doing about 50 files a week above quota, and the more I was exposed to this toxic estrogen environment, the more I wanted to be done.

Lunch was a lot of fun -- that day, I wrote according to boob size.  The bigger the boobs, the more "attention" they got from my pencil.  They didn't know my criteria, of course, but the result was fun to watch. Another woman, call her Melissa, came up to me after lunch on Thursday, too.

"Margaret's pretty pissed at you," she said, with a lot more concern than one usually accords a temporary co-worker.

"Yeah, so? What did I do?"

"I don't know -- but she's pissed off at you.  Something you said, I guess, or maybe something you wrote."

"Really?" I asked.  Time to throw the sharks a puppy.  "Something I wrote?  That's strange . . . I've only shown it to one person, and I don't think she would have told anyone what was really in my notebook."  I left for the Fortress of Solitude post haste.  Melissa looked both horrified and gleeful: the Swing Set had a potential infiltrator!

The crowd went wild.  Suddenly, every woman in the office suspected every other woman in the office of being my "secret" friend as news that I'd shown the thing to someone -- one of them -- spread.  Someone knew what was in the notebook . . . and everyone denied that it was them, and accused everyone else.  Despite not having a shred of actual evidence, every woman in the place was convinced of conspiracy against her.  Paranoia is a common side-effect of solipsism, I've observed.

Friday was fun.  The women had abandoned subterfuge and were approaching me outright.  "So, what's in the book?" Courtney asked, once again.  Time to show a little of my irritation.  

"Would you believe that it's none of your business?" I asked.  

"Of course it's my business!  You're writing it at work, about me!"

"Please explain the logic underlying that conclusion," I said, patiently.

That took her by surprise.  She expected either a denial or a confession, not a challenge to her reasoning.

"I . . . everyone knows . . . I . . . Margaret and Melissa said . . . Ian, just tell me what's in it, okay?" she pleaded.

"So you don't have any idea what I'm writing about," I stated, flatly.

"Well, if you would just tell me--"

"None of your business," I repeated, and walked away.

There were more attempts to pester me and more attempts to sneak a look.  Margaret approached me just before lunch, on my way back from the file room.

"So, I saw you and Courtney talking earlier," she said, tentatively.  "Is she the one you let see your writing?"

"Does it matter?" I asked, blandly.  "In fact, does it matter at all what I write in that book?"  I sounded annoyed enough so she backed down a bit, and re-approached the subject from a less-confrontational perspective.

"You've got a lot of people very curious," she offered.

"Not something I set out to do," I lied.  "It's my personal time, it's my personal notebook.  My business," I repeated.  That just seemed to confirm her suspicions.  She lowered her voice and glanced around.

"Look, you little shit, if you write anything about me ever, I'll gut you, understood?"

"Gosh, that sounds like a threat of workplace violence.  This is becoming a hostile work environment," I mocked, walking away.  Inside, I was busting a gut.

At lunch on Friday, for once there was very little said.  I'd decided to give a preference to brunettes over blondes that day.  I've always had trust issues with blondes.  Courtney was blonde.  Margaret and Lisa were brunettes.  Hilarity ensued.  I still just gobbled my banana and kept to myself, silently scribbling (notes about siege warfare, if I remember correctly). They got to talking about a birthday party one of the women (forget her name, call her Becky) was having over the weekend, to which all of us had been invited and most of us had agreed to attend.  I had not.  Lunch was over a lot more quickly than usual, and I got some daggers stared at me for the traditional No Good Reason, and I banged out another couple of hundred files before quitting time.  Then I got the hell out of there and went home to forget them for the weekend.

Monday morning, I was let go.

Not technically -- technically, the company and my immediate superior were "re-allocating resources due to the differences in planning and execution", or some bullshit like that.  My temp boss (one of the most reasonable women I know) told me later that the project had fallen behind, and despite the fact that I was doing huge amounts of work, faster and more efficiently than any of the others, I had been "randomly" selected to be retired instead of being included on the "adjusted schedule".

My boss at the office told me that morning, and she was not happy.  She gruffly mentioned that there was going to be an organizational change, and I was going to be re-assigned.  I would be paid for half a day, end of story.  That's both the advantage and disadvantage of temp work: it can come or go without notice.

And then the subject of the notebook came up.

"It's come to my attention that some employees have been making unauthorized notes, possibly about patient files," she said, carefully.  In case you hadn't picked up on it, she didn't like me, I didn't like her.  "That is strictly against policy, and in violation of the NDA you all signed when you came to work here."

I just waited -- if you noticed, she hadn't accused me of anything, and until she did, I didn't have anything to say.


"It has been noted that you frequently write in a notebook."

"In my own time, off company time," I shrugged, for the last time.  "And it's my private work.  I never wrote down any patient information."  This was before HIPA, so Non-Disclosure Agreements were pretty standard in medical offices. 

"Still, I can't take the chance that you did," she said, with an air of finality.  "Please go get it for me."

"Uh, no," I guffawed.  "That's my private work."

"Which you brought onto company property, which makes it subject to search," she reasoned.

"Unfortunately for you, that notebook is not on company property.  It's in my car," I pointed out, getting angry.

"Ironwood, damn it, I want to see what is in that notebook."

"Why?  I've told you it isn't patient information.  That should be the only thing you're interested in.  The idea that I actually would be scribbling down patient information is ludicrous.  Or that I could remember anything by lunch time, which is the only time I write.  So . . . no, not until you give me a compelling reason why."

She looked at me thoughtfully.  She was on thin ice and she knew it.

"People are saying you write things about them in that notebook," she said, quietly.

"People say a lot of things," I challenged.  "Which people?  I'd like to hear it from them."

"I'm not at liberty to say.  It's a personnel matter," she said. "But you don't deny it?"

"I don't confirm or deny it.  I'm wondering what evidence you base this on.  Or are you going by rumor?"

"If the accusation is serious enough, it has to be investigated," she rationalized.

"And just what am I being investigated for?"

"I need to see what you wrote in that notebook, then we'll decide what to do about it."  She was trying to be forceful and commanding, but she had no legal right to compel me, and we both knew it.  She was trying to brow-beat me into submission, and for the first time I realized that she thought that I had been writing about HER the whole time.  

"Unless you can tell me why, and how you came to those suspicions, I think our work is done here."

Her nostrils flared.  "You bet it is.  You're not a team player, Ironwood, and that's sad.  I had high hopes for you.  Margaret says you didn't even go to Becky's party on Saturday." She said it like she was accusing me of buggery.

"It's my day off.  I barely know Becky.  I've spoken to her like five times in three weeks.  We're not close."

"Still, if you had gone, maybe we could have worked something out.  As it is, you're probably going to get a poor performance review from the company."

"One that points out I did twice as much work as . . . some people?  Because that's what I say in the detailed response that I'll include in my file, a copy of which -- detailing some other things I've observed -- will go to your office."  She paled a little.  Nice effect.

"So, you're not going to cooperate..." she said, making one last stab at intimidation.  I was done for the day.  I had nothing to lose.  "I want to see what's in that notebook!"

I snorted.  "You didn't even say 'please', so no, no, no. No you may not.  My private property -- and as a writer, a published author whose words have some nominal value, it could be construed by a jury or the Employment Commission as an attempt to unlawfully appropriate my ideas.  Give it up, Lady.  I'm out of here, and so is my notebook . . . and whatever might happen to be in it."  I walked out, made one last stop at the Fortress of Solitude, stole two rolls of high-quality toilet paper the all-male staff of physicians horded for themselves, slung my backpack over my back and headed out.  I smiled one last time at the pretty receptionist, and just couldn't resist sticking my head into the cube farm door to say good bye.

"It's been real, Ladies, but I've been re-assigned," I explained, simply.  Half of them looked at me anxiously, the other half looked away disgustedly.  I had no idea why, but I'm sure it was something terribly, terribly important.  A few of them were kind enough to hug me good-bye, but most gave a half-hearted wave and got back to work.

The lesson of the story is that every single aspect of the response from a group of 14 women (13 co-workers and a boss) was based on a) her solipsistic belief that I was writing about her based solely on the fact that she didn't know WHAT or WHOM I was writing about  b) her belief in the absence of evidence that my stubborn silence was proof that I was writing about her and c) the belief that every other woman in the group was conspiring against her over the imaginary book for some reason.

I'll freely admit, there were other dynamics at play here -- race, class, ethnicity, education, etc. were all present, as they are in any large office in the South.  But the undeniably solipsistic nature of their response remains to this day in my mind the epitome of demonstrating female solipsism.

It ain't a peer-reviewed study, Susan . . . but it's one hell of a raw data set.